escape

fuck vapor wave kids

 

dopamine crawling

down my spine

the sky is nothing

this drive is nothing

here is an empty convention center

with microorganisms painted on the carpet

space to move

I hate it so much when you die

so stop dying

rusting beams and

a sunrise to match

golden golden golden gold

let your hair grow

this is the tropics for crissakes

Advertisements

flash fiction or w/e

OLYMPUS DIGITAL CAMERA

The open road was the second mistake, but it took a while to get there. First came the boxes: cardboard, made for packing and impermanence. You hated for things to be thrown away, and you hated the boxes, but you kept quiet until the yard sale when the girl with the red backpack came and bought my lamp. You went inside to make coffee but there was no coffee maker anymore and I walked in just as the ceramic hit the floor. It was the loudest thing.

The first mistake had to have been the wooden floors. The creaking was so insistent! More than the dark knots and the smell of dust and yellow light in the hall. It all got to my skin before you did, before you took my hand and we danced in the living room while the seasons changed. I never knew what home was. I only wanted to look at the maps.

Inevitably the floors and the lights and the boxes all led to the open road, the one you insisted you would accompany me down, at least until we hit the coast. Through the city we were alright. Across the plains we were alright. Up the mountains (and down the other side) we were alright, but when we hit the water we started to sink, possibly because there weren’t any floors out here. Howdid we not see this coming! Why weren’t we prepared!

It was not until we got out of the car that we realized The Wanting was terrible and The Leaving was worse. It was not until then that we realized that the colors of the maps were not true and you’d have to go back the way we came and I’d have to stay here. But it was never anyone’s fault.

This is Fiction I Swear: Part 11

Part 11: The Fox

Houses in the Hills

My sister’s package came in the mail today. She sent me this bronze fox figurine that stands about half as tall as the mufg of coffee I set it next to. I don’t know where she got it or how much she spent or anything but it’s so perfect it makes me sad, standing there on all petite fours looking at me with its little fox eyes.

When we were kids staying at our uncle’s place in the country we saw a fox in the woods and that’s the first time I decided I loved them. The fox wasn’t red like in movies. It was more brownish and was so busy digging a hole in the dirt and dry leaves that it didn’t see us standing there watching it. When it finally looked up it stared at me for a full thirty seconds before turning abruptly and scampering into the woods.

But this one can’t go anywhere. It’ll look at me forever from whatever shelf or table I put it on. I pick it up and turn it over in my hands. It’s heavy. It’s solid. It’s meant for staying. How different it seems from human beings! Always in motion, always in the process of leaving somewhere and arriving somewhere else, and no one ever puts their feet down on the ground somewhere and says I’ll think I’ll stay, I think I’ll be here tomorrow.

But people are not things and we must move or our bones will fuse with the walls of a place and we’ll be stuck forever, looking more and more like the place each day till they start building bricks around us and over us and sealing us in. The image of such a fate takes shape in my mind and I start making arrangements. I know how I’ll get out of this, all of it: I’ll go to California. Like so many before me I’ll head to a coast and brush the sand off my feet and find the fresh start I’m looking for.

I’ll take Graham with me. He’s still scared of this shooting nonsense so he’ll go, right? We’ll stay together in a cheap room until we can find jobs and get a real place. Somewhere where I can smell the brine in the sea and where I can keep the windows open all the time and walk around in bare feet. Yes, that’s what we’ll do. And Graham will be there by my side looking fresh and we’ll wake up each morning and drink coffee together until the cool haze evaporates and the sun comes out to tell us it’s time to start the day’s work.

And I won’t be scared of the sun anymore. I won’t be scared of anything. I’ll forget about my landlord with his truck and the alley where a man lay in his own blood and the girl with the medium-length hair, and I won’t miss you anymore. The sun will set late and rise early and we’ll be its children, warm and happy and we won’t tread water every day, we’ll float.

I’ve got to tell Graham about this. I rush out of my apartment and the gate shuts behind me louder than I intended and I’ll tell my neighbors I’m sorry if I see them later. The walk to his apartment isn’t long and I realize when I get there I forgot my phone to call him so I just knock several times on the door. Twenty seconds. I bounce up and down a few times to keep warm in the crisp air. Where is he? At work? What day is it? I knock a few more times and still nothing and now I’m concerned because my nerves are so excited and I’ve no outlet for them if he doesn’t answer and I can’t tell him my plan right away.

I look down the sidewalk and see that old guy who always stands outside of bars in our neighborhood and talks about weird Japanese stuff to all the smokers. He’s ambling my way and I just cannot talk to him right now or I’ll go crazy or my organs will rupture or something. I turn and duck into the nearest restaurant for shelter. It’s a little Mexican place where they always have hot peppers and spicy pickled carrots on the table. The waitress asks if it’s just me and I tell her yes and order a horchata and some tacos. I can see the sidewalk clearly from my booth by the window so I’ll be able to tell if Graham gets home.

Suddenly I notice the song playing on the speakers and my throat closes up. It’s a pop song, top 40, and the DJ’s played it all the time last summer. Why is it only the pop songs that make me want to cry? Only the stupid ones I hear on the radio a million times. They dig in somehow, grind their heels into my sternum and twist and twist until I’m gasping for breath.

It’s the same thing you did to me, did you know? The very same thing! You were always so innocent, always said it was me who wasn’t ready, that it was me who fucked things up and played games, but friend: I see more clearly now and you are not faultless. You are co-conspirator, co-contributor, co-author. We did this together. See what we’ve made? Isn’t it grand? Isn’t it beautiful and wonderful and perfect as it stands crumbling right before our very eyes?