memories

This is Fiction I Swear: Part 14

Part 14: A Parting Shot

OLYMPUS DIGITAL CAMERA

Sometimes the papers don’t tell the stories we need to hear. They tell us about robberies and murders and corrupt politicians but they don’t tell us about boys with light hair who try to steal your souls or about girls with nice smiles who lie to your faces. They don’t tell stories about us. So I tell them. Sit down and listen. Lend your ear to the one who might cut it off.

The sky is lilac for some reason tonight and strange spaces are opening up between the buildings. I can’t think of any good words to put down in this letter so I stop where I am, I stop with what I have, right in the middle of the sentence. She’ll get it. I fold it up and put it in an envelope and drop it in the rusted box at the corner. Then I jog across the street at the red light and continue down 18th. I’ve got ends to tie up before I go.

Past the park I used to cut through in nicer weather. Past the trees they planted in September. Past shops and cafes and everything that has been bought and sold, bought and sold, like you say. Find something that hasn’t been! And I can’t.

I can’t think of what I’m going to say to you because my mind is full of your earliest memory. You told me about it once, about sitting on the floor while your parents argued in an apartment off Lawrence. About yellow lights and floorboards and the smell of Chinese cooking. It sounds sort of nice to me. It sounds like being underwater while the world explodes up above: only muffled noises reach my ears and it all seems far away. The water holds me and flames can’t touch me. Nothing can touch me.

I stop in front of your apartment and look up, way up to the window that lets a pitiful amount of light into your living room. Even in daytime. Wait, is it your living room? Or maybe your bedroom? I have to think. I’m going over the layout in my mind, getting all tangled up in the rooms and the corners and the walls and the floors when I hear my name.

-Ana.

You’re standing in the open doorway looking like a storm is about to hit. You know why I’m here. I ask politely if I can please come up, and you step aside and let me pass: up the creaking stairs, three flights, cobwebs above, below, and on all sides. Your door is open when I get to the top so I walk in and set down what I’ve brought. I promised to return it weeks and weeks ago. It might have been months but here I am finally and you don’t look mad that I’ve kept it so long. You look like you’d rather never see it again, like if it would keep me from saying what I’m about to say you’d have it buried deep underground where no one would lay eyes on it until the end of time when the earth turns inside out and all things hidden come to the surface.

-How are you?

-Fine.

-Is it ok if I leave this here?

-Sure.

The dishes are dirty in the sink. There are clothes everywhere and a few cans of soda on the table near the couch. You’re staring at me while I look around the room in all its chaos. They say a system needs chaos. They say it wants to be in disorder, that it’s more stable that way, and I’d like to believe them.

Finally I look up at you and you take a step closer to me, challenging me to say it. Go on, I dare you. I part my lips to speak and you step forward again. I’m forgetting everything and I have no idea where I am or if it’s hot or cold or if I’m moving or standing still.

You put your hand on the back of my neck and lean forward so our foreheads are touching. Eyes closed, we hang on, for how long I cannot say.

Advertisements

This is Fiction I Swear: Part 11

Part 11: The Fox

Houses in the Hills

My sister’s package came in the mail today. She sent me this bronze fox figurine that stands about half as tall as the mufg of coffee I set it next to. I don’t know where she got it or how much she spent or anything but it’s so perfect it makes me sad, standing there on all petite fours looking at me with its little fox eyes.

When we were kids staying at our uncle’s place in the country we saw a fox in the woods and that’s the first time I decided I loved them. The fox wasn’t red like in movies. It was more brownish and was so busy digging a hole in the dirt and dry leaves that it didn’t see us standing there watching it. When it finally looked up it stared at me for a full thirty seconds before turning abruptly and scampering into the woods.

But this one can’t go anywhere. It’ll look at me forever from whatever shelf or table I put it on. I pick it up and turn it over in my hands. It’s heavy. It’s solid. It’s meant for staying. How different it seems from human beings! Always in motion, always in the process of leaving somewhere and arriving somewhere else, and no one ever puts their feet down on the ground somewhere and says I’ll think I’ll stay, I think I’ll be here tomorrow.

But people are not things and we must move or our bones will fuse with the walls of a place and we’ll be stuck forever, looking more and more like the place each day till they start building bricks around us and over us and sealing us in. The image of such a fate takes shape in my mind and I start making arrangements. I know how I’ll get out of this, all of it: I’ll go to California. Like so many before me I’ll head to a coast and brush the sand off my feet and find the fresh start I’m looking for.

I’ll take Graham with me. He’s still scared of this shooting nonsense so he’ll go, right? We’ll stay together in a cheap room until we can find jobs and get a real place. Somewhere where I can smell the brine in the sea and where I can keep the windows open all the time and walk around in bare feet. Yes, that’s what we’ll do. And Graham will be there by my side looking fresh and we’ll wake up each morning and drink coffee together until the cool haze evaporates and the sun comes out to tell us it’s time to start the day’s work.

And I won’t be scared of the sun anymore. I won’t be scared of anything. I’ll forget about my landlord with his truck and the alley where a man lay in his own blood and the girl with the medium-length hair, and I won’t miss you anymore. The sun will set late and rise early and we’ll be its children, warm and happy and we won’t tread water every day, we’ll float.

I’ve got to tell Graham about this. I rush out of my apartment and the gate shuts behind me louder than I intended and I’ll tell my neighbors I’m sorry if I see them later. The walk to his apartment isn’t long and I realize when I get there I forgot my phone to call him so I just knock several times on the door. Twenty seconds. I bounce up and down a few times to keep warm in the crisp air. Where is he? At work? What day is it? I knock a few more times and still nothing and now I’m concerned because my nerves are so excited and I’ve no outlet for them if he doesn’t answer and I can’t tell him my plan right away.

I look down the sidewalk and see that old guy who always stands outside of bars in our neighborhood and talks about weird Japanese stuff to all the smokers. He’s ambling my way and I just cannot talk to him right now or I’ll go crazy or my organs will rupture or something. I turn and duck into the nearest restaurant for shelter. It’s a little Mexican place where they always have hot peppers and spicy pickled carrots on the table. The waitress asks if it’s just me and I tell her yes and order a horchata and some tacos. I can see the sidewalk clearly from my booth by the window so I’ll be able to tell if Graham gets home.

Suddenly I notice the song playing on the speakers and my throat closes up. It’s a pop song, top 40, and the DJ’s played it all the time last summer. Why is it only the pop songs that make me want to cry? Only the stupid ones I hear on the radio a million times. They dig in somehow, grind their heels into my sternum and twist and twist until I’m gasping for breath.

It’s the same thing you did to me, did you know? The very same thing! You were always so innocent, always said it was me who wasn’t ready, that it was me who fucked things up and played games, but friend: I see more clearly now and you are not faultless. You are co-conspirator, co-contributor, co-author. We did this together. See what we’ve made? Isn’t it grand? Isn’t it beautiful and wonderful and perfect as it stands crumbling right before our very eyes?